music Music is generally defined as the The arts, art of arranging sound to create some combination of Musical form, form, harmony, melody, rhythm or otherwise Musical expression, expressive content. Exact definition of music, definitions of mu ...

, the dominant is the fifth scale degree () of the

diatonic scale In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole st ...

. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The

triad Triad or triade may refer to: * a group of three Businesses and organisations * Triad (American fraternities), certain historic groupings of seminal college fraternities in North America * Triad (organized crime), a Chinese transnational orga ...

built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and

ninth chords In music, a ninth is a compound interval consisting of an octave plus a second. Like the second, the interval of a ninth is classified as a dissonance in common practice tonality. Since a ninth is an octave larger than a second, its ...

typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function.

Dominant chords

In music theory, the dominant

is a major chord, symbolized by the

Roman numeral Roman numerals are a numeral system that originated in ancient Rome and remained the usual way of writing numbers throughout Europe well into the Late Middle Ages. Numbers are written with combinations of letters from the Latin alphabet, eac ...

"V" in the

major scale The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at doub ...

. In the

natural minor scale In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which ...

, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chords: typically as a dominant seventh chord, but occasionally in minor as a minor seventh chord v⁷ with passing function: : As defined by the 19th century musicologist Joseph Fétis, the ''dominante'' was a seventh chord over the first note of a descending perfect fifth in the ''

basse fondamentale In music theory, the concept of root is the idea that a chord can be represented and named by one of its notes. It is linked to harmonic thinking—the idea that vertical aggregates of notes can form a single unit, a chord. It is in this sense ...

'' or root progression, the common practice period dominant seventh he named the ''dominante tonique''. Dominant chords are important to

cadential In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards. Don Michael Randel (19 ...

progressions. In the strongest cadence, the authentic cadence (example shown below), the dominant chord is followed by the tonic chord. A cadence that ends with a dominant chord is called a '' half cadence'' or an "imperfect cadence". : \new PianoStaff << \new Staff << \new Voice \relative c'' \new Voice \relative c'' >> \new Staff << \new Voice \relative c' \new Voice \relative c' >> >>

Dominant key

The dominant key is the key whose tonic is a

perfect fifth In music theory, a perfect fifth is the musical interval corresponding to a pair of pitches with a frequency ratio of 3:2, or very nearly so. In classical music from Western culture, a fifth is the interval from the first to the last of five ...

above (or a perfect fourth below) the tonic of the main key of the piece. Put another way, it is the key whose tonic is the dominant scale degree in the main key. If, for example, a piece is written in the key of

C major C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor a ...

, then the tonic key is C major and the dominant key is

G major G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable com ...

since G is the dominant note in C major. Harmonic axis in C major and minor

sonata form Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th c ...

in major keys, the second subject group is usually in the dominant key. Music which modulates (changes key) often modulates to the dominant key. Modulation to the dominant often creates a sense of increased tension; as opposed to modulation to the subdominant (fourth note of the scale), which creates a sense of musical relaxation.

In non-Western music

The dominant is an important concept in Middle Eastern music. In the Persian Dastgah,

Arabic maqam Arabic maqam ( ar, مقام, maqām, literally "rank"; ') is the system of melodic modes used in traditional Arabic music, which is mainly melodic. The word ''maqam'' in Arabic means place, location or position. The Arabic ''maqam'' is a m ...

and the

Turkish makam The Turkish makam (Turkish: ''makam'' pl. ''makamlar''; from the Arabic word ) is a system of melody types used in Turkish classical music and Turkish folk music. It provides a complex set of rules for composing and performance. Each makam spe ...

, scales are made up of trichords,

tetrachords In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency propo ...

, and pentachords (each called a '' jins'' in

Arabic Arabic (, ' ; , ' or ) is a Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walte ...

) with the tonic of a maqam being the lowest note of the lower jins and the dominant being that of the upper jins. The dominant of a maqam is not always the fifth, however; for example, in

Kurdish music Kurdish music refers to music performed in the Kurdish languages and Zaza-Gorani languages. The earliest study of Kurdish music was initiated by the renowned Armenian priest and composer Komitas in 1903, when he published his work ''" Chansons ...

and

Bayati {{About, a form of Azerbaijani folk poetry, other uses, Bayat (disambiguation) Bayati ( az, Bayatı) is one of the oldest forms of Azerbaijani folk poetry. A bayati consists of four lines, each of which has seven syllables. The rhyme scheme is a ...

, the dominant is the fourth, and in

maqam Saba MAQAM is a US-based production company specializing in Arabic and Middle Eastern media. The company was established by a small group of Arabic music and culture lovers, later becoming a division of 3B Media Inc. "MAQAM" is an Arabic word meaning a ...

, the dominant is the minor third. A maqam may have more than one dominant.

References

{{chords Diatonic functions 5

Dominant chords

Dominant key

In non-Western music

See also

References